It’s nearly here: Silent Laughter Weekend offers the UK’s most diverse lineup of classic and rarely seen silent comedies, showcased at London’s Cinema Museum. I’ve spent the last few snowy days editing together the programme notes for the twelve different programmes and I’m now really excited for the weekend. Here are some of my highlights of the programme:
THE NIGHT CLUB showcases Raymond Griffith, a real individual among silent comedians. Certainly, he bore very little stylistic similarities to Chaplin, Keaton or Lloyd. His closest evolutionary relative was probably Max Linder, with whom he shared a suave sophistication and silk-hatted swagger (try saying that with a lisp). To Linder’s breezy, debonair attitude, Griffith added a slyness and air of wry amusement that were entirely his own. This is one of his few surviving features.
I’m delighted to be screening a programme of CHARLEY CHASE excerpts. Putting it together has been much harder than I expected, purely because of the sheer volume of excellent films Chase turned out. I’ve also discovered how hard it is to take excerpts from many of his films, as their careful construction means that practically every frame counts, and it’s hard to cut anything out. Not that watching Chase films back-to-back is particularly bad homework to have… After doing so, I’ve come away with a whole new appreciation for not just his comic performances, but also his incredibly meticulous comedy construction. One thing is for definite: there’ll be a complete screening of his all-time classic, ‘MIGHTY LIKE A MOOSE’, which is undoubtedly the funniest plastic surgery farce you’ll ever see!
A PERFECT GENTLEMAN is a real gem, and also a very rare film. One of Monty Banks’ starring comedies, this is something like a cross between a Harold Lloyd and Charley Chase film, and is very funny. As far as I’m aware, this hasn’t been screened publicly in many years, and is a rare complete 35MM print from the BFI.
SKYBOUND is a rarity starring AL ST JOHN (Roscoe Arbuckle’s nephew) that showcases his wild brand of slapstick with some rousing aeroplane stunts. Silent Comedy expert and author Steve Massa has programmed this and three other rare shorts from silent comedy’s anarchic fringe in a programme named after his wonderful book, ‘LAME BRAINS & LUNATICS’. he’s also compiled some encyclopedic screening notes for this and the other, rarely seen shorts, some of which are the only known copies.
EXIT SMILING is one of Beatrice Lillie’s few excursions into film, and her only starring silent feature. What a shame! This is a terrific comedy giving lots of opportunity to see why Chaplin described her as his female counterpart.
FIDDLESTICKS is my favourite Harry Langdon short, and an excellent way to begin your acquaintance with him. It’s one of several ‘NOISY SILENTS’, which will be presented with live sound effects to reflect the cacophony depicted within them! Harry’s attempts at busking will also be accompanied by Our Gang’s NOISY NOISES, Lupino Lane’s SUMMER SAPS and Laurel & Hardy’s YOU’RE DARN TOOTIN’.
Speaking of L & H, the weekend will be rounded off with a showing of the ‘new’, nearly complete THE BATTLE OF THE CENTURY, as part of a programme hosted by comedian Roy Hudd. A real treat!
For the full programme, see www.kenningtonbioscope.com. Tickets are still available, and it’s the perfect antidote to this never-ending winter! Hope to see some of you there.