As if Dave Glass hadn’t been busy enough this year working on the new Lupino Lane DVD/Blu Ray set, he’s also been uploading heaps of rare silent comedies on his YouTube account. The latest is HARD WORK,a very rare short comedy from 1928 featuring Wallace Lupino (younger brother of Lupino Lane).
It’s a print from my collection. I lucked into the 8mm print of this very rare short a few years back. It was hoped to include it on the DVD set as an extra, but this print isn’t the best quality, and searches for a 16mm copy all came to naught. Now you can enjoy it for free on Dave’s YouTube channel. Here’s the video, and below you’ll find a bit more info about Wallace and the film.
Wallace was a secret weapon in the Lane films, a versatile performer capable of portraying a range of parts. He can be seen playing parts ranging from threatening heavy to matronly woman, as well as ersatz Vernon Dent to Lane’s Langdonesque naïf. Schooled in the Lupino family tricks and traditions, he had been a performer since childhood too, appearing in pantomime as ‘Wee Wallace Lupino’. After war service and stage work in Britian, he later joined his elder brother in Hollywood, and was instrumental in helping Lane create the split second pantomime routines and double acts that make his films so wonderful. Though inevitably in his elder brother’s shadow, Wallace was also given a chance to star in his own shorts at Educational, starting with 1926’s SWEET BABY.
Educational’s series of Tuxedo and Cameo Comedies were one-reel shorts, simple gag-based endeavours starring less well-known performers like Johnny Arthur, Monty Collins and Cliff Bowes. Like Wallace, these were mainly performers better known for supporting roles, stepping up to the plate as stars. The films were a valuable career leg-up not just for performers, but also for directors. Particularly notable was the kid brother of Educational comedy producer Jack White; Jules White is best known today for his work with The Three Stooges, but before this, he cut his teeth on many Cameo comedies, including HARD WORK.
HARD WORK clearly bears White’s trademark of vigorous slapstick gags. The short is a simple tale of Wallace and his family (Betty Boyd & Jackie Levine) trying to renovate their home. Nothing original in that premise, but the secret to a good one reefer was taking a simple premise and getting as many good gags as you could from it. HARD WORK certainly does that; the film is saved from being so-so with some original, very funny gags involving animals, pianos and vacuum cleaners. And, for a one reeler, the scale of the destruction is pretty epic! Particularly good is the scene where Wallace gets his head stuck through the ceiling – he certainly earned his paycheck for this film!
In sound films, I often find White’s predilection for big and violent sight gags unpleasant, but in the slightly dreamlike world of a silent one-reeler it works much better. (I think what I actually dislike about this most are the accompanying sound effects; Harry Langdon called White’s talkies the “oh-ouch-ow” comedies, and he was absolutely right. White seemed to think it was funnier if characters on the end of slapstick showed that they felt pain – but that’s not a problem in silents.)
Wallace is ably supported by two actors familiar from the Lupino Lane shorts. His long-suffering wife is ably played by Betty Boyd, who played leading lady in several Lane films like BATTLING SISTERS and PIRATES BEWARE.
Young Jackie Levine plays the bratty child. After appearing with Harold Lloyd in FOR HEAVEN’S SAKE, he became a regular at Educational in the late silent years, often in the ‘Big Boy’ juvenile comedies (bit of an unfortunate name…). Little Jackie would play a thorn in Wallace (and Lupino Lane’s) sides again: he plays a bratty kid in SUMMER SAPS and JOY LAND. This overlap with the Lane shorts occurred often, reaching it’s apotheosis with CROWN ME, a short starring Wallace and directed by Lane. (I hope you’re following all this, as there will be a test at the end.)
Wallace starred in several other shorts for Educational. As well as those mentioned above, titles included ALL SET, AUNTIE’S AUNTE, THE LOST LAUGH, HUSBANDS MUST PLAY and WEDDED BLISTERS. These generally stayed in the format of simple situational comedies – ALL SET involves Wallace’s attempts to obtain a dress suit, and WEDDED BLISTERS is a tale of moving furniture to a new home. Of all these, the only other surviving entry I’m aware of is the namesake of this blog, THE LOST LAUGH. Ben Model shared his unique print of this fun little comedy on his Accidentally Preserved DVD and on YouTube. Here it is:Several of these films were issued on 16mm in the 1930s, but few seem to survive. Unless someone knows more, I believe HARD WORK was the only one to be issued on 8mm (possibly derived from Mogull Films’ 16mm print, the sole Lupino title they carried). I certainly wasn’t expecting to see it turn up on eBay. The print was anonymously labelled as ‘Wallace Lupino/Charlie Chase’; I took a punt and it turned out to contain both HARD WORK and Chase’s SITTING PRETTY on the same reel. A bargain for £5.00 GBP! The print isn’t the best quality ever, but it’s a nice little rarity that helps add to our appreciation of this very underrated performer. Enjoy!
PS. I wrote a longer article on Wallace’s career here.
This article originally appeared in issue 8 of The Lost Laugh magazine – you can download that for free here.