silent laughter

Silent Laughter Approacheth…

It’s nearly here: Silent Laughter Weekend offers the UK’s most diverse lineup of classic and rarely seen silent comedies, showcased at London’s Cinema Museum. I’ve spent the last few snowy days editing together the programme notes for the twelve different programmes and I’m now really excited for the weekend. Here are some of my highlights of the programme:

raymond_griffithTHE NIGHT CLUB showcases Raymond Griffith, a real individual among silent comedians. Certainly, he bore very little stylistic similarities to Chaplin, Keaton or Lloyd. His closest evolutionary relative was probably Max Linder, with whom he shared a suave sophistication and silk-hatted swagger (try saying that with a lisp). To Linder’s breezy, debonair attitude, Griffith added a slyness and air of wry amusement that were entirely his own. This is one of his few surviving features.

1902869_1001306219882168_8346693282609805506_nI’m delighted to be screening a programme of CHARLEY CHASE excerpts. Putting it together has been much harder than I expected, purely because of the sheer volume of excellent films Chase turned out. I’ve also discovered how hard it is to take excerpts from many of his films, as their careful construction means that practically every frame counts, and it’s hard to cut anything out. Not that watching Chase films back-to-back is particularly bad homework to have… After doing so, I’ve come away with a whole new appreciation for not just his comic performances, but also his incredibly meticulous comedy construction. One thing is for definite: there’ll be a complete screening of his all-time classic, ‘MIGHTY LIKE A MOOSE’, which is undoubtedly the funniest plastic surgery farce you’ll ever see!

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A PERFECT GENTLEMAN is a real gem, and also a very rare film. One of Monty Banks’ starring comedies, this is something like a cross between a Harold Lloyd and Charley Chase film, and is very funny. As far as I’m aware, this hasn’t been screened publicly in many years, and is a rare complete 35MM print from the BFI.

 

SKYBOUND is a rarity starring AL ST JOHN (Roscoe Arbuckle’s nephew) that showcases his wild brand of slapstick with some rousing aeroplane stunts. Silent Comedy expert and author Steve Massa has programmed this and three other rare shorts from silent comedy’s anarchic fringe in a programme named after his wonderful book, ‘LAME BRAINS & LUNATICS’. he’s also compiled some encyclopedic screening notes for this and the other, rarely seen shorts, some of which are the only known copies.

exitEXIT SMILING is one of Beatrice Lillie’s few excursions into film, and her only starring silent feature. What a shame! This is a terrific comedy giving lots of opportunity to see why Chaplin described her as his female counterpart.

FIDDLESTICKS is my favourite Harry Langdon short, and an excellent way to begin your acquaintance with him. It’s one of several ‘NOISY SILENTS’, which will be presented with live sound effects to reflect the cacophony depicted within them! Harry’s attempts at busking will also be accompanied by Our Gang’s NOISY NOISES, Lupino Lane’s SUMMER SAPS and Laurel & Hardy’s YOU’RE DARN TOOTIN’.

Speaking of L & H, the weekend will be rounded off with a showing of the ‘new’, nearly complete THE BATTLE OF THE CENTURY, as part of a programme hosted by comedian Roy Hudd. A real treat!

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For the full programme, see www.kenningtonbioscope.com. Tickets are still available, and it’s the perfect antidote to this never-ending winter! Hope to see some of you there.

 

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Silent Laughter 2018: programme revealed!

silent laughter 2018 flyer

It’s here! Straight from The Cinema Museum website, this is the programme for the 2018 Silent Laughter Weekend!

SATURDAY MARCH 10TH

10.00 The Night Club (1925)
A silent feature-length comedy starring Raymond Griffith, whose surviving films are few but which delight audiences at festivals around the world (as with his Paths to Paradise (1925) and Hands Up! (1926) at previous KB screenings). Contemporary critics made such comments as `Comedy along all lines from subtle wit, through burlesque to slapstick, and in every style he gets the laughs’ and `The picture is crammed with gags, most of them new’ … and with more than a nod towards Harold Lloyd’s Why Worry? (1923), shown at our comedy weekend last year. We defy anyone to see a connection between the title and the film! Introduced by Kevin Brownlow – who perhaps will explain!

11.30 The British are Coming!
Tony Fletcher introduces a selection of 1920s British comedies, including Adrian Brunel’s glorious spoof travelogue Crossing the Great Sagrada (1924), A.A. Milne’s Bookworms (1920) starring Leslie Howard, also Variety legend Leslie Sarony singing a comic song or two in a rare DeForest Phonofilm, one of the pioneering British-made talkies that predate Hitchcock’s Blackmail (1929).

13.00 LUNCH

14.00 Charley Chase
Charley ChaseMatthew Ross highlights the career of Charley Chase, a brilliant, influential and – at least until relatively recent years – overlooked comedian and director of the 1920s and 1930s. A master of both the sight gag and situational humour, this selection of prime Chase comedies will conclude with one of his funniest silent shorts.

15.35 A Perfect Gentleman (1928)
Monty Banks is perhaps best remembered today for having married (and directed) Gracie Fields, something which has unjustly eclipsed his career as a star comedian in shorts and features (his 1927 film Flying Luck opened our comedy day last November). In this, one of his best starring roles, Banks gets involved in tracking down a stolen fortune, his adventures culminating in a whirlwind, gag-filled climax at sea.

17.15 Keaton Classics
Following our 100th anniversary celebration of Buster Keaton’s film career in last November’s comedy day, we are delighted to present a programme of classic Keaton material. Noted Keaton authors David Robinson, Kevin Brownlow and David Macleod reveal their favourites and researcher Polly Rose illustrates some of her new discoveries about Buster’s 1924 feature Sherlock Jr.

18.45 Dinner

20.00 Exit Smiling (1926)
Exit SmilingRenowned stage comedienne Beatrice Lillie – a Canadian-born British star whose reputation spanned both continents – made regrettably few films. Fortunately one of these is the 1926 MGM feature Exit Smiling, produced and directed by one of Harold Lloyd’s key associates, Sam Taylor. `Bea’ Lillie – as she was often known – plays Violet, the dogsbody for a travelling theatrical troupe who harbours ambitions to act – or, as a title card informs us, has played `Nothing’ in Much Ado About Nothing! A true classic, introduced by Michelle Facey.

22.00 approx. Close

 

SUNDAY MARCH 11TH

10.00 Lame Brains and Lunatics
Lame Brains and Lunatics coverOur thanks to American author Steve Massa, who has selected some of the ‘good, the bad and the forgotten’ silent clowns from his book bearing the same title as this programme. Assisting his presentation from this side of the pond will be Dave Glass, to whom we also offer thanks. Can you afford to miss Al St.John, Toto, Marcel Perez or Paul Parrott? (Don’t answer that!)

11.35 Seven Years Bad Luck (1921)
After his early successes as a star of Pathé comedies in his native France, Max Linder made two forays into American film-making. Our recent Silent Laughter Saturday included examples from both visits, Max Wants a Divorce (1917) and Be My Wife (1921), the latter representing part of a series of features produced and directed personally by Linder. In Seven Years Bad Luck, perhaps the best of these, the fun starts when Max’s butler breaks a full-length mirror. Bad luck seemingly ensues as Max escapes the police, unwittingly hiding in a lion’s cage. In addition to Seven Years Bad Luck, the programme will include a recently discovered Max Linder short from 1910, Les Effects des Pilules. Introduced by David Robinson.

13.00 Lunch

14.00 Surprise Programme
A surprise programme of rare material hosted by award-winning editor and director Christopher Bird.

15.35 So You Won’t Talk (1935)
Monty BanksContinuing from yesterday’s screening of A Perfect Gentleman (1928), here’s a chance to see silent comedian Monty Banks in a rarely-shown British talkie – except he doesn’t talk (mostly!). In what may have been a means of translating his silent comedy methods into the talkie era, the plot sees Banks becoming weary of all the chatter surrounding him and, in order to win a bet, guaranteeing not to talk. Cue lots of silent comedy as complications ensue …

17.15 Noisy Silents
Some silent comedies have always looked as though they were intended to have soundtracks, even though none were provided at the time; these examples, including films starring Harry Langdon, Our Gang and Laurel and Hardy will be provided with the extra sound accompaniment we feel they need – in the final case, we hope, by the audience. Hosted by musician and composer Neil Brand.

18.45 Dinner

20.00 Roy Hudd
Roy HuddWe are delighted to welcome comedian, actor and writer Roy Hudd, who will be in conversation with former News Huddlines writer – and Kennington Bioscope regular – Glenn Mitchell. As with their previous shows at the Cinema Museum, Roy and Glenn will be discussing and screening clips of great comedians from film, theatre and television. This time the emphasis is expected to be on essentially visual humour … but we’ll wait and see what they come up with!

21.45 Roy Hudd talk concludes with   the newly restored Battle of the Century (1927), starring Laurel and Hardy, and the pie fight to end all pie fights!

22.00 approx. Close

 

Tickets & Pricing

Weekend Ticket £30 / One Day £18 / After 2pm £12. These are available online from Ticket Tailor.