The Marx Brothers

Clowns in Colour

Recently, a whole load of colourised silent films have been appearing on YouTube. I won’t wade into the colourisation debate here (let’s save that for tedious flame wars on Internet forums) but it did get me thinking about genuine colour footage of silent comedians. Unsurprisingly, there’s not much about, as a) the use of colour was limited in the era and b) lots of early colour footage has decomposed. Still, there are some examples out there…

In the silent era, colour was mainly used in small doses to add some prestige to feature films. Harry Langdon filmed a fantasy sequence for LONG PANTS (now sadly lost) and Buster Keaton created a colour prologue for SEVEN CHANCES. Happily, this does exist and has been restored to current copies. It must be said that the faded 2-strip Technicolor  isn’t exactly vivid, having faded to more of a sepia effect, but it’s still nice to have it, and if you squint hard enough you can imagine Buster in living colour.

 
Keaton’s long career kept him working to the point where colour was much more widespread in the film and TV industry. As a result, there is lots of nice colour footage of him in his later years, but to see him looking more like the Buster we know from his classic silents, the best bet is HOLLYWOOD CAVALCADE. This 1939 feature was a vague retelling of the Mack Sennett story and Buster appears in an on-set pie throwing sequence (thus perpetrating the myth that he was another Keystone clown). It’s beautiful vivid colour, and there are even some lovely outtakes from the film showing Buster throwing pies and laughing. Sadly, neither film nor outtakes appear to be on YouTube, but there’s a brief snippet at 9:15 in this episode of the wonderful Keaton documentary A HARD ACT TO FOLLOW.
 

Charlie Chaplin didn’t make a colour film until 1967’s A COUNTESS FROM HONG KONG, but his brother Syd (always the less parsimonious Chaplin brother!) took some remarkable colour home movies on the set of THE GREAT DICTATOR that capture Charlie at work. There are scenes from the battlefields, ghettos and ballrooms of the film represented, as well as the iconic final speech. The vividly coloured uniforms of the soldiers make the viewer wish the film had been made in colour!

Though there is no colour footage of Chaplin from the silent era, there are a set of remarkable colour photographs taken by Charles C Zoller in 1918. These show Chaplin on the steps of his new studio and on the set of A DOG’S LIFE:

Similar in spirit are these shots of Laurel & Hardy horsing around on the Hal Roach lot in 1938:

The most famous Laurel & Hardy colour footage is the 1940s public information short THE TREE IN A TEST TUBE, which features some mute film of them clowning around with wood products. Their first colour film was actually made over a decade earlier; THE ROGUE SONG was an MGM musical starring Lawrence Tibbett, with the boys added for some comic relief.  Alas, this is another early colour film that has decomposed, but a small fragment of the boys’ footage does remain. Murphy’s law of course dictates that the existing scene takes place almost in a dark cave so there’s not much colour to be had! Here’s the clip, which ends with that famous stage direction, “exit, pursued by bear!”

Another comedy team, another clip from 1930; here’s a behind the scenes glimpse of the Marx Brothers on the set of ANIMAL CRACKERS: 
 

It wasn’t just the highest profile stars who made some colour appearances. Here’s Lupino Lane singing a tune in 1930’s GOLDEN DAWN. It’s one of the few bright spots in this turgid and dated drama of Africa; not one that stands up to repeated viewings these days.

And to finish off with here’s  Charley Chase as ‘Charley Chan Chase’, host of the oriental themed MGM novelty, HOLLYWOOD PARTY (1937) . Maybe another one that doesn’t stad much chance of being revived today… nice Technicolor, though!

 

Hooray for Captain Spaulding (and a toast to Mrs Rittenhouse)

Today marks 126 years to the day since Julius Henry Marx (Groucho to you and me) entered the world. Here’s some prime Groucho, from ‘ANIMAL CRACKERS’:

35 years later, after the passing of Chico and Harpo, Groucho re-enacted this sketch while hosting TV’s ‘HOLLYWOOD PALACE’. While he was without his brothers, legendary foil Margaret Dumont turned up for one last appearance alongside him. Aged 82, she’s still recognisable as the same statuesque dowager who added so much to the Marxes’ shows and films. It has sometimes been said that she could pull of such parts convincingly because she was in real life bereft of humour and bemused by the brothers’ antics, but I’ve never bought this. She certainly seems to be having a good giggle at Groucho during this scene, anyway! Sadly, just a few days after filming this, she too passed away.

 

marx-book

Of course, before it was ever a film, ‘ANIMAL CRACKERS’ was a hit Broadway musical. The Marxes’ musicals and stage tours are all set to be covered in a new book. ‘FOUR OF THE THREE MUSKETEERS: THE MARX BROTHERS ON STAGE’ by Robert S Bader promises to be”the first comprehensive history of the foursome’s hardscrabble early years honing their act in front of live audiences”. It’s available October 15, with a list price of $35.00. Here’s some more information.